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| THE MUSIC | ||||
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ABOUT THE HEART | ||||||||
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The score [of Laila] is based on a mystic Sufi love poem and grew out of the composer’s experience as a patient at the Royal Brompton Hospital, where he met the heart imaging specialists Dr Philip Kilner and Dr Sonya Babu-Narayan. It’s almost impossible to see Amu without being overwhelmed by Tavener’s ravishing contribution. |
Performed live at Sadler’s Wells by 50 musicians (the Southbank Sinfonia conducted by Paul Goodwin) and seven wonderful singers, it’s his first original full-length score for dance and it’s a tour de force. From its fundamental opening heartbeat (played on an American pow-wow drum) to its heavy closing breath, it follows a majestic journey deep into the soul and out into the cosmos. |
For 70 minutes its gripping enchantment builds like a whirling dervish and soars with a transcendant ecstasy that blurs the passions of religion and romance. It’s extravagantly sensual, as alluring as a muezzin’s call, yet despite its mystical concept it’s grounded in the rapture of earthly desire. Debra Craine, The Times, 19/09/2005 |
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